My
problem isn’t that I don’t like alpha heroes. I love them—when somebody else
writes them. The problem arises when I try to write one myself.
Why
should that be a problem, you ask. There’s room in our genre for all types of
heroes: alpha, beta, and everything in between. Writers are free to create whatever
character best fits each individual story.
So
why do I struggle? Because some stories, like the one I’m working on now,
scream out for an alpha hero. Dominic “Nick” Rosetti, my hero in Boiling Point,
is a former Detroit police detective who left the force after his partner died
in a shootout. When the pair cornered an armed drug dealer in a blind alley,
Nick hesitated a second too long, and the gunman fired first, killing Nick’s
partner. With his confidence gutted by guilt, he moved to Chicago and became a
P.I.
I
have to write Nick as a tough guy, because he is. He carries a lot of emotional
baggage he prefers to keep to himself. He’s used to taking charge without
wasting time on explanation. He’s a man of few words. Yet I keep having to stop
myself from writing him dialogue that sounds more like Nick Charles from The
Thin Man movies than Nick Rosetti.
I
think it’s because I love witty banter. Writing dialogue is my favorite part of
any story. When my characters really get going, the air is thick with provocative
statements and sharp retorts. I can’t seem to help myself. I’ve always been
more attracted to intelligent wise guys than sullen tough guys. That’s how I
ended up with OG. (Not to suggest he isn’t tough, but his wit attracted me
first.) Most of the men I’ve met in real life who would fit the current fictional
definition of alpha males are self-centered, arrogant jerks and not attractive
to me at all.
That’s
because fictional alpha heroes are just that—fictional—and because we write
romance, they are creations of fantasy. Some authors are brilliant at bringing
those fabulously unrealistic men to life. Sadly, although I love reading about
them, I don’t seem to be much good at translating that sort of fantasy to the
page. My heroes all end up being men I would actually enjoy spending time with.
Hence, my struggle to bring proper balance to the character of Nick Rosetti.
Since
passing the half-way point in the first draft of Boiling Point, I think I’m
finally getting a handle on him. However, I’m afraid some of my favorite bits
of his dialogue will end up on the chopping block when I go back to revise. Sigh. The sacrifices we authors make for
our characters…
Alison
www.alisonhenderson.com


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