To Mentor or Not To Mentor

~~ Vonnie Davis

Almost a year ago, I listed my name on RWA's site for finding a critique partner. The two I had before were great. Awesome. So good, in fact, they had each contracted a series with close deadlines. I felt, with all the pressure involved with the growth of their writing careers, I was adding extra stress by asking them to stop working on their stuff to read my chapters. So, maybe I could find someone who was less strained for time. Who didn't have deadlines, edits, and promo of new releases constantly  looming.

A young mother contacted me. She'd never been published. Okay, I could work with that. I was being told by my editor, at the time, that I wrote old. My word usage was dated. So, a younger adult could help me be more current. Win-Win.

She sent me her first chapter. There were several problems. Not huge, mind you. Newbie problems. Ones I'd made myself years ago. Okay, ones I still make before I do a hard edit. How much more honest can I get with y'all? Even so, beneath the almost constant use of that, just, and only, I could see talent beaming through. She didn't have "telling" versus "showing" nailed down so I sent her lessons I'd written for Savvy Authors.

In short, I mentored her.

She wasn't my first. Like many of you probably have, I've mentored others over the years. All are now published, except for one who just couldn't get the concept of popping heads. That the pov character couldn't see the person on the other end of a phone conversation shake her head. I'd helped her for over a year with little improvement. Finally, I had to cut her loose.

Not with this new young woman. She wanted to learn. Whatever instructions I gave her, she soaked up like a sponge. Slowly, the lovely woman I mentored became a stronger writer and a valuable critique partner. She began to pick up on my weak points, which pleased me. Why? Because
I knew she was getting stronger.

Once her book was written, we went through the editing process together. I learned more about street drag racing than I ever knew there was to learn. She sent me YouTube videos on the sport to watch and get the gist of her writing topic. I helped her make her Young Adult romance shine with suggestions here and there. She'd learned so much in our time together as well as the online classes she'd taken, I just stepped back and watched her shine.

I gave her tips on how to write a synopsis and a query letter. I edited them for her. Not that I had much to do. She'd gotten it.

Since she has no agent, she went to the RWA site and got the listing of publishers that accept unagented submissions. She sent off her query package according to what each publisher requested on their website, exactly as they'd requested. I'd told her this was her first test as an author. Publishers figure if you can't follow directions on how to submit, how will you follow their editing instructions?

She listened.

Pardon me while I sound like a proud Mama. This young friend, who I've never met, who's never been published has a contract offer from a small publisher...AND full manuscript requests from The
Wild Rose Press, Lyrical, HarperImpulse, Siren, Harlequin, City Owl, Entangled, and Sourcebooks.
Several who are giving her submission prompt special attention because of her contract offer from a small publisher.

So, mentoring turned into critiquing and a great friendship. Candice writing as Leslie, you go girl!

Dear Readers: What Do You Want?

By Glenys O'Connell

Readers, what do you want?

In the words of the Spice Girls (which dates me, no doubt) tell me what you want; what you really, really want?

I mean, take books for example. We writers sit at our computers, or pens and notebooks, or chalks and slates, and we pour out our hearts and souls. Then we send those words out into the world, after fussing over them like mother hens, and wait. And wait. And wait. Sometimes there's a kind word from an editor or a publisher; sometimes there's a contract.

And all too often, there's a rejection.

Which, try as we might, we do take personally. Who could help but do so, after all we've given up – time with family, lazy days in the sun, movies and tv, reading other writers' books, dinner dates and trips out – in order to write those words that are so unappreciated.

And the worst of it is that those editors, publishers and agents that we rely on so heavily for a yeah or a nay, these people are only human. Stories are subjective – I might love a particular writer's work, someone else might hate it or worse, be indifferent.

Stephen King, my hero, was told his work was 'not commercial'. That not commercial writer has sold millions of books, and his work has been made into television shows and movies.

J.K. Rowling, creator of the breathtakingly popular Harry Potter books, was told that kids today weren't interested in dragons and wizards and magic. 'Nuff said.

Somewhere, out there in the Great Unknown, are editors or editorial assistants or publishers' purchasing committees who are crying into their beer for turning down the next great thing. At least I hope so.

So it seems these days that it is the readers who have the final say; the readers who spread the word about King and Rowling and many other bestsellers – once a publisher decided to take a chance on an unknown writer.

You see, readers know what they want.

There's a story about George Sands that says she began to write because she couldn’t find a book that interested her. The same is said of Louisa May Alcott, author of my girlhood favourite, Little Women and the sequel, Good Wives. But just like Rowling, they kept right on writing. The readers found them, and the rest is history.

So, readers, what do you want? What stories light up your lives, or leave you afraid to go into the dark basement alone? What inspires you? Makes you laugh, makes you weep? Lifts your mood and makes you feel better when your world is in chaos? A Love that makes your toes curl?  What, in fact, would you say are the ingredients of that Next Great Thing? Or even a book that you'd love to read?

The Internet is full or how-to advice for writers. I'm as guilty as any other blogger or article writer; I teach creative writing to would-be writers. I'm glad to say that quite a few have gone on to be published.

But to me the burning question isn't what is selling today; not what formula works to make a book successful – the very existence of such a formula is a fallacy.

The real question can only be answered by you, Dear Reader: What do you want?

Right about now you may be wondering what this has to do with the current theme of this blog: Organization.  The answer, of course, is absolutely nothing.

I always wanted to be a rebel!

Glenys O'Connell is the author of several mystery & romance novels with good reader reviews; her long-awaited (in her dreams) book based on her creative writing course: Naked Writing: The No Frills Way to Write Your Book, will soon be published. Her 'brand' is Romance Can Be Murder, which tells you a lot about her.... Learn more here.