Thursday, June 23, 2016

When In Doubt – Dialogue by Margo Hoornstra

My initial training as a writer, and livelihood for many years was in non-fiction. It was my job to compose and edit magazine articles, ghost write speeches and create scripts. Who, What, Where, When, Why and How are the essentials of writing. Along with the equally essential Know Your Audience and Write What You Know. That was how I was taught.

 

In a news item, you tell someone what happened, plain and simple. He, or she (who), did this (what), here (where), at this time (when), because of this (why), in this way (how).

Easy-Peasy, don’t you think? Could do it in my sleep and so could you.

Now transfer these stringent cut and dried non-fiction principles directly into fiction writing. No longer Easy-Peasy. Trust me. While it’s necessary to tell a piece of news, it’s essential to show a work of fiction. The fiction reader needs to ‘see’ the characters and ‘watch’ what they do. In addition, the characters themselves must have been provided with definite reasons to do what it is they do.

Lengthy expositions of information will not keep readers interested. I know this because going over some of the long, drawn out information dumps in my own early attempts at fiction soon had my eyes glazing over and my fingers itching to rapidly turn the page. Not to necessarily find out what happened next, more to find out when something actually would happen, period.

Need further proof? It never failed, even the dog would fall asleep soon after I started to read a story of mine out loud.
 

So what’s the best way to accomplish all of this necessary, no vital, showing to keep readers happily, and swiftly, turning pages? As I’ve finally learned, dialogue sprinkled with action engages the reader and keeps them reading. Not knock down drag out shoot ‘em up action either. Unless, of course that fits the tone of the story. More subtle happenings within the dialogue will suffice. A mannerism or inflection in tone. Movement from one place to another.
 

 

A case in point is a scene from my soon to be finished work in progress, Bound by Duty. The first draft of one section was a long, drawn out yawner that needed major revision.
 
***

Vince rolled up his sleeves, blew out a sharp breath, and sat forward at his desk. Like it or not, this was going to be one hell of a long night. Same as usual when the details of an unsolved case stuck in his craw. The accident reconstruction geeks took their own sweet time to file a report. He couldn’t begin to count the number of times he’d reached for the phone to call them then pulled back.

Why frustrate myself more than I already am?

No sense calling to speed them up. They’d probably relegate his case to the bottom on the stack just for spite.

Don’t focus on what you don’t know, concentrate on what you do.

He opened the file folder that contained a variety of photos from the crash site. One car in the ditch of a rarely traveled country road is burned beyond recognition. Body inside suffered a similar fate. So what did he have? What did that leave him with? Their victim driving around an area he may or may not be familiar with, got lost or disoriented and crashed his car into the ditch after which it immediately burst into flames.

Chin down, he massaged tense fingers across his forehead. None of which made any damned sense. Don’t focus on what you don’t know, concentrate on what you do.

Out of the way crash site, ignited vehicle, body inside. The three pieces of evidence, the only three pieces of evidence, kept running through his mind like some kind of macabre carousel. Crash site, vehicle, body. Pretty much summed it up, but something just simply did not add up. What the hell am I missing?

He slammed the file folder closed and gave it a sideways shove to skitter across his desk with a flap and a flutter. Until it finally came to a stop beside a pile of many more just like it.
 
***

The next attempt, I think, is a whole lot easier to get into. Or not. Only a reader can decide.

Vince rolled up his sleeves, blew out a sharp breath, and sat forward at his desk. Forearms rested on its top, he balled both hands into fists. Like it or not, this was shaping up to be one hell of a long night. Same as usual when the details of an unsolved case stuck in his craw.

Don’t focus on what you don’t know, concentrate on what you do.

Fingers un-flexed, he opened the file folder that contained a variety of photos from the crash site he laid out in front of him.

“Hey, Detective. I didn’t know anyone from the day shift was still here.”

“Just me, I guess.” Vince glanced up at the uniformed officer who stood in the doorway.

In addition to the Sergeant in charge, one of two rookies working the dispatch night shift. He’d met the kid before but didn’t recall his name.

“What are you working on?”

Vince tapped the pictures. “Going over evidence on a case that has me bugged. A crash and burn out on rural 99.”

“What happened?” Coming forward, he craned his neck for a better view of the upside down photos. “Looks bad.”

A name plate on his shirt read Arnold M. Matthews! That was the kid’s name. Matthews. He’d solved that case easily enough. Now to tackle this other.

“One car sort of in the ditch of a rarely traveled country road bursts into flames.”

“What do the accident reconstruction people say?” Setting down the coffee cup he’d come in with, he picked up a side-view snapshot of the burned out vehicle. Body removed.

“Nothing yet. Those geeks always take their own sweet time to file a report.” He couldn’t begin to count the number of times that day had he made a move to pick up his phone then pulled back. Why frustrate myself more than I already am? “No sense calling to speed them up. They’d probably relegate his case to the bottom on the stack just to spite me.”

“Must have been quite the explosion on impact.”

Vince continued to study the shots. “That’s just it. There’s no evidence of any impact. No obstacle on the scene the vehicle might have come in contact with.”

“Can it happen like that?”

“Appears it did.”

“Puzzler.”

Although Vince had never heard that exact term used in the course of an active investigation he glanced up to nod ready agreement. “You got that right.”

“Best of luck getting it solved.” The kid retrieved his cup then backed out of the doorway and disappeared down the hallway.

“Yeah. Thanks.” I’m going to need it.

Chin down he massaged tense fingers across his forehead. So what did he have so far? Someone driving around the area got lost or disoriented and ran his car off the road that immediately burst into flames.

None of which made any damned sense. Don’t focus on what you don’t know, concentrate on what you do.

“Which is not a whole hell of a lot.”

He slammed the file folder closed and gave it a sideways shove to skitter across his desk with a flap and flutter. It finally came to a stop beside a pile of many more just like it.
 
***

So what do you think? Can you relate?

That’s all I have. No promo and buy link for a new release because, as I mentioned this is a work in progress. One of four books in a series that, along with one of its partners, Deceived by Trust, will soon make the rounds of the publishing world to find a home.

Oh, okay, here’s a short, short tease.

Brothers in Blue – the dropout, the straight arrow, the movie star and the maverick – the vow they made to serve and protect begins with their own.
 
 

My days to blog here are the 11th and 23rd. For more about me and my stories, please visit my WEBSITE

17 comments:

Diane Burton said...

I love writing dialogue. Descriptions? Not so much. You're right, Margo, about eyes glazing over during long info dumps. Look at the classics. Talk about long narrative. Paragraphs that go on for pages. Today's reader wouldn't sit still for that. Our readers want snappy dialogue, short paragraphs, action. Good luck with your Brothers in Blue.

Jannine Gallant said...

Much better! And he isn't talking to himself... LOL

Brenda Whiteside said...

You nailed it , Margo!

Margo Hoornstra said...

Thanks, Diane. You're right about readers today wanting instant gratification. When it works, dialogue is so easy to write. One of my weaknesses in writing is getting carried away with flowery descriptions. Always have to rein myself in.

Margo Hoornstra said...

Ha, Jannine! Nothing wrong with talking to yourself, is there? Within reason, I mean. Didn't know you were constantly over my shoulder, did you? ;-)

Margo Hoornstra said...

Think so, Brenda? ****grinning here**** Nice to hear, thank you.

Diana Stout said...

What a difference! The revision is sooooo much better and reads fast--exactly what you want. Nice.

Margo Hoornstra said...

Thank you, thank you, Diana. Revision, revision, revision. That's what it's all about, right?

Melissa Keir said...

Wonderful post! Dialogue is so important because you get to see inside the characters' heads and their personalities.

Margo Hoornstra said...

So true, Melissa. Thanks for stopping by. Nice to 'see' you again.

Lucy Naylor Kubash said...

I also love dialogue! It always seems to move the story forward quickly. Second version of the scene does this and is so much easier to "see." Really would like to read this series, so best of luck in placing it.

Margo Hoornstra said...

Thanks, Lucy. I'll hurry up and finish it for you. How's that?

Andrea Downing said...

Well done, Margo. And me, I love writing dialog because I hear the conversation in my head.

Leah St. James said...

Great rewrite, Margo! Much tighter. It's funny you talk about going from non-fiction to fiction. I did the opposite. After writing fiction for a number of years, and learning all the rules, I was asked to write a column for the newspaper where I work (about local authors). Who knew that newspaper writing was so different?! Think short, two- or three-sentence "grafs" for the opening, which I think is called the "nut graf." And whatever you do, don't bury the "lede"! (No, none of those are misspelled!) (Don't quote me on any of that. I never did quite get it!) Out went my beautiful, descriptive prose. In went dry and boring (to me!) bullet point-like statements of who, what, when, where and why. I changed jobs a few months ago so no longer do the column, but eventually I learned to inject a wee bit of personality into the facts. It's a skill!

Margo Hoornstra said...

Thanks, Andi. Me too. Once you get into it, dialogue just seems to flow.

Margo Hoornstra said...

So true, Leah. The non-fiction I wrote was dry, dry, dry. Just the facts, Ma'am. And nothing but. My CP sometimes complains (yes complains!) about my short, choppy sentences. It's what I know, I mean knew. Glad you liked the rewrite. Thank you.

Alicia Dean said...

Great job! I love how you showed the difference in the two versions. The second one was much more engaging. And, I absolutely LOVE the premise for your new series. Gotta love the men (and women) in blue!