We Writers Are Never, Ever Too Old To Learn by Margo Hoornstra

For as long as I can remember, I’ve been writing stories. That’s what all of us who are authors say, right? When I was in grade school, one of my teachers told my mother I had a flair for writing. Some similar comment from someone is what most of us reveal from our pasts, too. In my case, writing was, you could say the family business. It’s how my father paid the bills when I was growing up. Authors, albeit not of the worldly famous variety, but those who made their living writing books, would come to my house for dinner.

When I finished college, I used my writing skills in a career as a public relations specialist, magazine editor and script writer. All of which doesn’t make me an expert by any stretch. I’m constantly seeking, looking, trying, and sampling everything I can get my hands on about writing. Even at my ripe old age, I never tire of learning.

Something I did this Summer at RWA2017, The Annual Romance Writers of America® Conference in Orlando.

One session titled KEEPING YOUR READERS UP ALL NIGHT, was presented by multi-published New York Times and USA Today bestselling author Joan Johnston.

Besides being a very entertaining speaker, she provided some very usable information on how to hook readers in each and every chapter.

 Ask a question that must be answered
Create conflict 
Anticipate a confrontation
Start with riveting action or compelling behavior
Predict what will happen when a secret is revealed
Set up a competition or bargain
Suggest disaster, unless…
Set a deadline or ultimatum

To craft that very first paragraph, and she suggests you.

Present a physical and/or physiological response
Utilize all five senses
Set the time, place and conditions
Use precise word choice
Have metaphors appropriate to the story
Keep sentences simple
Show don’t tell
Employ fitting dialogue tags

In my special 99 cent release, FOR MONEY OR LOVE, I can only hope I achieved and implemented some of what she suggested.

My days to blog here are the 11^th and 23^rd. For more about me and my stories, please:

Visit my

WEBSITE

Or find me on

FACEBOOK

TWITTER 

          

GOODREADS

RWA2017: Lesson One – Give Them What They Crave by Margo Hoornstra

In my August 11^th appearance on this page, I talked about attending the 37^th Annual Conference of Romance Writers of America. Despite some pro and con controversy about the value of membership in this organization, in my opinion, the group does strive to support romance authors in their craft and their career, from those just emerging and pre-published to multi-published masters. Many commenters on August 11^th asked me to share what I learned in some of the many workshops.

So let’s begin….

In all the sessions on the craft of writing, the message was the same. Emotion is the takeaway readers seek, especially from a romance novel. They want to be invested, to feel or empathize with the characters. Maybe relive a treasured memory through the story.

The first workshop I attended was Seducing Your Readers in Chapter 1, presented by Michael Hauge.

The tease and bio go something like this…

Salvaging a novel with a weak opening is next to impossible. Never try to “grab” your reader at the beginning of your novel. You must seduce them, draw them into your world, create empathy for your heroine, set the tone for your story, introduce immediate conflict, lay the groundwork for your heroine’s arc, and foreshadow what lies ahead. This presentation will reveal how to compel your readers to keep turning the page.

Michael Hauge is a story consultant, author, and lecturer who has consulted on projects for every major Hollywood studio, including films starring Will Smith, Julia Roberts, Jennifer Lopez, Kirsten Dunst, Robert Downey Jr., and Morgan Freeman. He is the author of Selling Your Story in 60 Seconds, and has presented his lectures and workshops to more than 50,000 writers and filmmakers around the world.

My initial decision to sit in on this one was mainly prompted an author friend who exclaimed how attending a presentation of his a few years ago was so eye opening for her, it changed her writing life forever. You could say I bought into her enthusiasm, the emotion she projected.

Suffice it to say, I wasn’t disappointed.

One element of writing he shared, I’d heard before. In framing characters, a writer needs to begin with the wound. An event or ongoing painful situation she believes she’s over, that still determines her behavior.

The hero, of course, needs to come to understand this, and her.

According to Mr. Hauge, the primary reason a manuscript fails to resonate with editors, and therefore receives a rejection slip, is because the hero and heroine have no real reason to be together, except for the fact the writer wants them to be.

Kind of like – I love you because we are in this book together. Not very compelling, or interesting.

My main takeaway from the session is the core of the following paragraph.

The reason the hero is the heroine’s destiny is because he’s the only guy who sees her beneath her identity and connects with her at her essence. He sees her true self and connects to her on that level.

Did your heart beat a little faster? A contented sigh emerge? Me too!

The need for a deep and unique connection between two souls is a dynamic that has stayed with me, one that I’ll think about, and try to inject into my writing in every interaction between my hero and heroine.

Emotion. Deep, heartfelt emotion.

Hopefully, mission accomplished in my September 29, 2017 release On the Surface.

It’s available for pre-order here.

My days to blog at The Roses of Prose are the 11^th and 23^rd. For more about me and my stories, please visit me at my website