Showing posts with label growth as a writer. Show all posts
Showing posts with label growth as a writer. Show all posts

Monday, June 27, 2016

How To Get the Most Out of a Writer's Workshop by Betsy Ashton

Once again, I'm back from a stimulating week at Tinker Mountain Writers Workshop, where my brain and my writing were squished through a wringer. Here are the lessons I learned. Hopefully, these will help the next writer enjoy a week-long retreat somewhere. And thanks to Pinckney Benedict for a fantastic week and for the idea to use lists in our writing. This one's for you, Pinckney.

1. No matter how many times you reworked your manuscript before you submitted it, the teacher and fellow workshop participants will read it as a first draft. They will call it a first draft.

2. Accept that fact and don't argue. Realize that they want to help you become a better writer.

3. Read every manuscript as soon as you receive it. Usually, manuscripts arrive in email a week or two before the actual workshop begins. Don't make any marks on the manuscript at this time. Just read it.

4. Reread every manuscript just before you arrive. Now is the time to mark the heck out of it.

5. Highlight grammos and typos. There will be plenty, but you don't want to waste instructor time talking about them. Ditto, mark word usage. I circle repeated words on a page and draw lines between them.

6. Mark anything that doesn't make sense. Now you're reading like a writer. Look for head hopping, omissions, too much description that doesn't advance the story, etc.

7. Mark everything that is really good. The writer needs to know what you liked. Tell the writer you want to read more than what was submitted, but only if you really liked the voice.

8. Before the first session begins, check your egos at the door. Remember, writers are people first. If you begin your critique with positive statements (I like what George wrote when he eviscerated the dragon with a toothpick), anything else you say will find receptive ears. (Even if you can't imagine a toothpick sharp enough to gut a dragon.)

9. Continue to check your egos at the door every morning. The longer the workshop goes, the deeper the critiques become.

10. When you are being critiqued, keep your mouth shut. Try and keep all expression off your face and refrain from gesturing, grunting, nodding, etc.

11. Be kind when you are critiquing, but be honest.

12. Accept the fact that all members of the workshop have come to learn, not to grandstand. You are all students together. The instructor wants you to take away suggestions to improve your work. Your fellow classmates do the same.

13. Bond with the members over meals. There is no better way to get to know people than over meals. Sit with your classmates at least once a day. Sit with people in other workshops at different times.

14. Never come to class unprepared. You disrespect your fellow writers when you are not as ready to discuss their work as they are when they discuss yours.

15. Turn off your smart phones and smart watches. Nothing annoys people more than someone constantly checking a phone or watch. It tells the other writers that they are not as important or interesting than something on your wrist. You're not millennials, for God's sake.

16. Have fun.

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Betsy Ashton is the author of Mad Max, Unintended Consequences, and Uncharted Territory, A Mad Max Mystery, now available at Amazon and Barnes and Noble. I'm really excited that the trade paper edition of Uncharted Territory was released this week. Please follow me on my website, on Twitter, Facebook and Goodreads.

Friday, April 12, 2013

"It's time," Agent Lady said.

As humans, we enjoy being comfortable. Routines help keep us ensconced in our comfort zones. For me, part of my writer comfort arena is my publisher. I can't say enough good things about them. I've been treated well at this small ePublisher. Even so, the thought niggles at the back of my mind:  Am I good enough to attract the interest of a larger house?

Call it ego. Call it ambition. Call it being in need of stronger validation, but I am finally listening to my agent. "It's time," she claims. "Time for you to allow me to 'shop out' your books instead of automatically submitting it to the place where you feel safe."

"You...you know I don't handle rejection well." I chewed on a hang nail, a nervous gesture.

Her hand came up and pushed my hand away from my mouth. "Put on your big girl bloomers and deal with the rejection. If one publisher doesn't like your stories, another one will. You've gotten stronger."

"Stronger? Has my deoderant petered out? " I sniffed at my armpit.

"Don't play that dumb act with me." She turned her glass around and around on the table while she glared in my direction.

Agents. They can be so bossy. They can also be a best friend, which she is. So, I opened myself up to the possibilies Dawn might help bring my way and sighed. "Okay."

I revamped my Christmas chapters I'd shared here, changed my characters and added another 30,000 words. We submitted it to Carina's Christmas submission extravaganza. Those chosen for thier holiday stories will be notified on the 15th of this month--in 3 days, not that I'm counting. I've opened myself to the possibilies. Granted they may well include rejection, but we've got plan B and plan C in place. Wish me luck.

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