Like most authors, I've done a few book signings over the years. When my first book--a Western historical romance--was released in 2010, I gave a talk and signed books at the historic home I'd used as a model for the heroine's house, I did a Valentine's Day signing in a gift shop in the small Missouri River town where the story was set, and I spoke to my college roommate's book club and signed books. All events were fun and I sold quite a few books, but I never did a signing in an actual bookstore until last month.
I'm sure you're all familiar with SMALL TOWN CHRISTMAS TALES, my collection of holiday short stories released in the fall of 2015. In early November of that year, I screwed up my courage and took a copy into a cute local bookstore, as well as the perennial Christmas shop on the main street of our little town. I chatted with the owners, left my contact information, and went home to wait, certain they would want to carry my book in their stores. Days and weeks passed without a word.
Christmas came and went, so I shrugged my shoulders and moved on. Imagine my surprise when I received an email out of the blue, a YEAR later, from the owner of the bookshop saying they'd like to carry my book for the holidays and schedule a signing for the weekend before Christmas! I rushed right in to The Pilgrim's Way with a few copies of SMALL TOWN CHRISTMAS TALES for their shelves and set things up for the signing. Imagine my further surprise ten days later when I received another email asking for more books because they'd already sold several. This was getting exciting!
I fired off a press release to three local newspapers, bought peppermint and milk chocolate truffles to hand out to patrons, and tried to keep the butterflies at bay. The morning of the signing, I loaded my bag with candy and ten more copies of the Christmas book, as well as three copies each of my two female bodyguard books. Wonder of wonders, the owner had lent the copy of UNWRITTEN RULES I'd left with her to a customer who is an avid reader. The woman loved the book and told her they should stock it in the store!
I was nervous at first, but as soon as things got rolling, that melted away. We live in a tourist town, so Saturday afternoons usually bring quite a bit of walk-in traffic. Talking to strangers does not come naturally to me, but I found offering candy to everyone who entered the store a perfect way to break the ice and start a conversation. A couple of local writer friends stopped by to offer moral support, and this adorable couple came all the way from Salinas to buy my book after reading about the signing in the paper!
The signing only lasted two hours, but in that time I sold eight copies of SMALL TOWN CHRISTMAS TALES, two copies of UNWRITTEN RULES, and one copy of BOILING POINT. I consider that a rousing success. The owner seemed pleased and asked me to bring more copies of the bodyguard books because she plans to keep them in stock.
I never expected to see my books on the shelf in a real bookstore, but now I'm thrilled to be able to tell anyone I meet that they can find my books at The Pilgrim's Way in downtown Carmel-by-the-Sea. What a rush!
Alison
www.alisonhenderson.com
Showing posts with label Small Town Christmas Tales. Show all posts
Showing posts with label Small Town Christmas Tales. Show all posts
Sunday, January 15, 2017
Friday, July 15, 2016
Storytelling - A Family Affair? by Alison Henderson
I'm not one of those writers who always knew she wanted to write. I didn't keep a journal, write fan fiction stories about my favorite singers or movie stars, or scribble wild flights of fantasy when I was growing up. I always hated creative writing assignments in school, because I never thought my ideas were any good. I had no clue how other people managed to come up with such imaginative stories. I assumed I didn't have it in me. Or did I?
When I was lying awake in the wee, small hours this morning--as I so often do--a memory popped into my mind for no reason I can think of. It was the memory my father sitting on the side of my bed when I was four or five, telling me and my younger sister bedtime stories. I don't remember the story lines, but I'll never forget desperately wanting to know what happened next.
My father was a Harvard-trained lawyer and not someone you would expect to have a particularly vivid imagination, but he made up stories that held us rapt. Actually, it was one long story, told episodically, like the 1930's radio serials he had grown up with. The heroine was Iva Marie, a plucky young lady of uncertain age but old enough to have adventures of her own with her maid/sidekick, Nettie Jane. The two girls were accompanied (and chauffeured) on their escapades through New York City by Tony the Taxicab Driver. As I recall, their adventures included all manner of "baddies", and at one point Tony had to drive the cab, with the girls inside, into the Hudson River to escape. With that kind of influence at an early age, I guess I shouldn't be surprised I ended up as a writer.
Fast forward thirty years to my own days as a young parent. When my daughter was born, I quit my job and stayed home with her for eight years. For the first three years, I was her primary playmate, and I loved it. I didn't create fantastic bedtime stories like my dad, but we did act out elaborate situations with her collection of Cabbage Patch dolls. While she was in charge of the stories, my job was to invent and maintain a different voice for each one. It was more of a challenge than you might think.
Somehow, subconsciously, the time I spent with these two natural storytellers must have spurred me to try my hand at writing fiction. In my mid-thirties, as soon as my daughter started preschool, I began my first book. And although that was many years and seven books ago, some things haven't changed. I still want to know what happens next.
Alison
www.alisonhenderson.com
P.S. - as a retreat from the mid-summer heat or an antidote to political hoopla, my short story collection Small Town Christmas Tales is on sale for $0.99 all month!
When I was lying awake in the wee, small hours this morning--as I so often do--a memory popped into my mind for no reason I can think of. It was the memory my father sitting on the side of my bed when I was four or five, telling me and my younger sister bedtime stories. I don't remember the story lines, but I'll never forget desperately wanting to know what happened next.
My father was a Harvard-trained lawyer and not someone you would expect to have a particularly vivid imagination, but he made up stories that held us rapt. Actually, it was one long story, told episodically, like the 1930's radio serials he had grown up with. The heroine was Iva Marie, a plucky young lady of uncertain age but old enough to have adventures of her own with her maid/sidekick, Nettie Jane. The two girls were accompanied (and chauffeured) on their escapades through New York City by Tony the Taxicab Driver. As I recall, their adventures included all manner of "baddies", and at one point Tony had to drive the cab, with the girls inside, into the Hudson River to escape. With that kind of influence at an early age, I guess I shouldn't be surprised I ended up as a writer.
Fast forward thirty years to my own days as a young parent. When my daughter was born, I quit my job and stayed home with her for eight years. For the first three years, I was her primary playmate, and I loved it. I didn't create fantastic bedtime stories like my dad, but we did act out elaborate situations with her collection of Cabbage Patch dolls. While she was in charge of the stories, my job was to invent and maintain a different voice for each one. It was more of a challenge than you might think.

Alison
www.alisonhenderson.com
P.S. - as a retreat from the mid-summer heat or an antidote to political hoopla, my short story collection Small Town Christmas Tales is on sale for $0.99 all month!
Wednesday, December 9, 2015
Penguins, Pucks, and Pumpkin Pies - Chapter Three by Alison Henderson
Once a player, always a player. Ellie fumed as she rang up two pumpkin pies and one mincemeat for Kora Steiglitz, the mayor’s wife. It’s always the same with him. A tiny voice in her head told her Tyler couldn’t help it if females found him attractive. She shushed it immediately. She had more important concerns than Tyler O’Neil’s sex appeal.
Around two
o’clock that afternoon she took advantage of a lull in business to down a cup
of coffee, along with a bowl of yesterday’s blackberry cobbler, re-heated and
topped with a dollop of whipped cream. Fortified, she gave Clare a quick call
to fill her in on the meeting with Tyler. By six she could barely keep herself
upright. She dragged her aching back and feet home and straight into a hot
bubble bath, knowing full well she had to be back at Pearl’s Perfect Pies in
less than twelve hours. Her chief assistant baker would be in the kitchen by
four, and Ellie usually joined her at six.
It was still
pitch black when she arrived at the pie shop the next morning, but several
trucks were already parked in front of the building next door. Portable lights
shone through the broken windows, and the sounds of saws and nail guns filled
the early morning air. The crew must be hard at work. Tyler might be a
self-involved womanizer, but no one could accuse him of being lazy.
Around
mid-morning a gap-toothed, red-headed boy of about eleven strode through the
door with a stack of papers under one arm. He waited while she rung up a candy
apple pie for Elmer McPherson, then stepped up to the counter. He pulled off
his hat and one glove and thrust his hand forward. Ellie smothered a smile as she
shook his hand. He’d obviously been coached on how to present himself.
“Hello, I’m with
the Pumpkinseed Lake Penguins, and we wanted to ask if you’d put one of our
posters in your store.” He peeled one off his stack and held it out.
She took the
poster and read:
Penguin
Pick-Up Food Drive
For
the benefit of the Pumpkinseed Lake Food Bank
We
need the following items:
Turkeys
Stuffing
Mix
Canned
Green Beans
Rolls
Cranberry
Sauce
Members
of the Penguins will stop by your home or business
to
pick up donations after 1:00 p.m. on December 23rd.
Thank
you for your support!
She pressed her
lips together. Not a bad plan for a meathead hockey player. By enlisting the
help of the whole community, they would be able to stock the food shelf in a
single afternoon.
She returned her
attention to the boy, who waited for her answer with a serious expression on
his freckled face. “I’ll be happy to help. Why don’t you give me two—one for
the front window and one to put here by the cash register?”
“Sure. Thanks!”
The boy grinned, handed her another poster, and hustled out the front door
toward the next stop on his route.
The days leading
up to Christmas were always the busiest of the year at Pearl’s. The bakers
cranked out pies like a well-oiled machine, and Pearl put in extra hours behind
the counter filling orders. This year Ellie spent every minute up to her elbows
in pumpkin puree and cinnamon. Clare sent over several volunteers from the
church to help, and together they filled the cooler with forty extra pies.
Ellie was almost
too busy to notice the non-stop construction work going on next door. Almost.
Tyler’s truck was hard to miss, parked at the curb each morning when she
arrived at the shop well before dawn. And she told herself she was only being
civic-minded when she sent a couple of the volunteers over with hot coffee and
three whole pies every morning around eleven; she had no right to be
disappointed when Tyler failed to appear for the follow-up meeting he’d
proposed. After all, it wasn’t as if they’d made firm plans.
At nine o’clock
on the morning of the twenty-fourth, Ellie left Pearl in charge of the store
and rounded up three of the church volunteers to help transport the pumpkin
pies next door. Although a small army of Penguins had swarmed through town
gathering donations the day before, she’d kept the pies in the large commercial
refrigerator at Pearl’s until an hour before the food bank planned to open for
business.
When she stepped
through the door with the first batch of pies, she froze and sucked in a breath.
She couldn’t believe her eyes. It was impossible. Tyler and his crew had
performed a Christmas miracle.
The charred,
water-stained ceiling and walls had disappeared—replaced by fresh wood and
newly-painted drywall. New glass
sparkled in the old window frames, and rows of custom-made shelves and cubbies
filled the back wall. Even the scarred wooden floor had received a fresh coat
of varnish. And they’d done it in less than a week. Her heart swelled, and she
had to blink away a sudden sheen of moisture.
Across the room,
Tyler and a flock of Penguins were busy organizing the food donations and
packing them into boxes that each contained the fixings for a complete family
meal. Ellie had taken no more than three steps into the room when one of the
boys dropped a package of stuffing mix and zoomed toward her, hands
outstretched.
“Let me take
those for you, ma’am.”
She cringed. Ma’am. When did I become a ma’am? But
she smiled and let him take the pies. Then Tyler glanced up and met her gaze.
Her cheeks flushed at the warmth in his eyes. Get a grip. He probably looks at every female like that.
She stood
unmoving while he finished the box he was packing and walked toward her with a
smile. The temperature in the room shot up ten degrees, and she unzipped her
parka. No wonder all the women melt at
his feet.
“I want to thank
you for the coffee and pie the last few days,” he said. “My guys really enjoyed
it. I enjoyed it, too.”
Butterflies
fluttered in Ellie’s stomach. “Pearl always said the fastest way to a man’s
heart was a perfect piece of pie.” She regretted the words the second they
slipped out.
Tyler grinned.
“Pearl was right.”
The butterfly
ballet became a flamenco. Unsure how to respond, she glanced around the room.
“Your crew did a wonderful job with the place. I can’t believe how much you
accomplished in such a short time.”
“Not too bad for
a bunch of meathead hockey players, huh?”
Ellie’s face
flamed and her jaw dropped. She closed her eyes and prayed for oblivion. Surely
she’d never said that in front of him.
His grin
widened. “Clare told me that’s what you used to call us in high school.”
“I…” What could
she say?
“It’s okay. We
probably were meatheads then.”
She dropped her
gaze to the floor. “My judgement might have been clouded at the time. I was
only fourteen.” Her voice dropped to a near whisper. “And I had a huge crush on
you.”
“Really?”
Shoot. He’d
heard her. Why had she let that slip? She shot a nervous glance toward the
door. “Um, I have to get back to the store. I’ll see you around, I guess.”
When she turned
to make her escape, he grabbed her hand. “Hey, you can’t drop a bombshell like
that and run away. We’ve got things to discuss.” She shook her head, but he
tugged her hand. “Come with me. I want to show you something.”
She scanned the
room. Activity had halted. All eyes focused on them. The scrutiny of eight
fascinated eleven-year-old boys sent chills down her spine. Time to beat a
hasty retreat. “Okay.”
With a firm
grip, Tyler led her to a storeroom in the back. It held the piney scent of new
plywood but not much else.
He pulled her
loosely into his arms, and his lips curved into an amused smile. “So you used
to have a crush on me.”
She refused to
meet his gaze. “Maybe. It was a long time ago.”
He nodded and
drew her closer. “We’ve both changed since then.”
“Maybe.” He’d
certainly changed, or at least her opinion of him had. She used to think he was
a self-centered show-off. A gorgeous, self-centered show-off, but a
self-centered show-off, all the same. The past week had shown her a new Tyler
O’Neil—a thoughtful, generous, hard-working Tyler O’Neil.
“You used to be
cute. Now you’re beautiful.”
She huffed in
disbelief. Beautiful? What a bunch of…
“I don’t—”
He touched a
finger to her lips. “You are. I may have been a jerk in high school, but I’m
trying to do better. And you may have been too young for me then, but you’re
not too young now.”
Her insides
began to melt. What was happening? She was quickly getting in over her head.
Time for a distraction before the situation got out of hand. She glanced around
the room. “You said you had something to show me. What is it?”
“This.” He
lowered his head and planted a soft kiss on her surprised mouth.
When he released
her, she tried to focus on his features, but the whole world seemed askew.
“So, are you
willing to give me a chance?” he asked before he kissed her again, sealing her
fate.
Her head was
still spinning. “Mmm” was the only response she could muster.
His lips slid
down to nuzzle her neck. “I’ll take that as a yes.”
Ellie leaned
against his sturdy chest and allowed herself to kiss him back. It was so much
better than anything she had imagined as a star-struck fourteen-year-old.
The sounds of
whistles and applause entered her consciousness. Her eyes flew open, and
Tyler’s arms tightened. Grinning Penguins and amused church ladies filled the
doorway.
In the middle of them
all stood Pearl. She pinned Ellie with a sharp glance, then winked. “Didn’t I always tell you? Never
underestimate the power of pie.”This story appears in the collection Small Town Christmas Tales.
Tuesday, December 8, 2015
Penguins, Pucks, and Pumpkin Pies - Chapter Two by Alison Henderson
Eight hours later Tyler O’Neil parked his truck in front of Pearl’s Perfect Pies. He’d spent what remained of the night mopping up the fire with the rest of the crew, dragging himself home with just enough time for a quick shower before returning to meet Ellie Markusson. A bell over the door tinkled as he entered the old brick building, and Ellie glanced up from the cash register. The tight lines framing her mouth didn’t suggest she was glad to see him. Maybe she was just tired. He sure as heck was, and his knee ached like a bear.
She nodded to
one of the small tables next to the front widow. “Have a seat. I’ll be with you
as soon as I can.”
Tyler hobbled
over, pulled out one of the old-fashioned bentwood chairs, and sat where he
could watch her. Pearl’s wasn’t a restaurant, but they had a few tables for
customers who wanted a slice of pie and a cup of coffee. It was smart
marketing, because the tempting aromas of cinnamon and warm fruit made it
impossible to walk out without wanting—no, needing—a bite, or two, or three.
He leaned back
in the chair and crossed his arms while he watched Ellie greet the next
customer. Her actions were brisk and efficient, her smile friendly and genuine.
He hadn’t paid much attention to his sister’s best friend when they were growing
up. The girls spent most of their time playing outside or holed up in Clare’s
room, giggling about some silly thing or another. If he thought about them at
all, it was with annoyance. Besides, he’d spent every waking hour outside of
school on the ice.
But since he’d
returned to Pumpkinseed Lake, he’d noticed Ellie Markusson plenty. Fifteen
years ago, she’d been a cute, snub-nosed little kid with loads of freckles. She
was still petite, but now she had curves in all the right places. She wore her
thick, honey blond hair in a fashionable, chunky bob, and her freckles had
faded to a delicate sprinkle across the tops of her cheeks. The few times he’d
tried to talk to her she’d been as prickly as a cocklebur, but then he’d never
been the kind of guy to walk away from a challenge.
While he was
still pondering her granddaughter, Pearl Markusson walked around the end of the
counter and approached, wiping floury hands on her long white apron. Tyler
started to rise, but she placed a firm hand on his shoulder. Pearl was barely
five feet tall, and the white braids that encircled her head like a crown gave
her an angelic air, but it was an illusion. Pearl had always been a force to be
reckoned with, and her stroke hadn’t changed that. She might only work a couple
of hours a day now, but her presence helped keep Pearl’s the local landmark it
had been for nearly fifty years.
“Good morning,
Tyler. What can I get you? The apple is as good as always, and the
pumpkin…well, you know about the pumpkin.”
He lifted a hand
in a gesture of polite refusal. “Nothing for me, Mrs. Markusson. I’m just here
to talk to Ellie about the food bank as soon as she gets a minute.”
Pearl cocked her
head and regarded him with a sharp look. “When was the last time you ate?”
He hesitated.
He’d had a bowl of chili at six the night before. Was that really fourteen
hours ago? It had been a long night.
Pearl didn’t
wait for an answer. “I’ll bring you a big slice of apple raisin pie and coffee.
You look like you need it.”
He started to
object but she had already turned and bustled off.
A few minutes
later she was back with the pie and coffee, steam rising from both. Tyler
swallowed and his stomach grumbled.
Pearl’s faded
blue eyes gleamed, and her smile held a hint of the flirtatious young girl
she’d once been. “Hah! I know a hungry boy when I see one.” She patted his
shoulder and headed back to work.
He stabbed his
fork into the flaky pastry and brought the first bite to his mouth. He closed
his eyes and savored the scent of heaven. He’d eaten half the slice when Ellie
appeared with a small notebook and pen in hand.
She pulled out
the chair across from him and sat. “All right. Let’s make this as quick as
possible. I’ve got plenty to do, as you can see.” She began writing. “I’ve
already called the insurance company to get the ball rolling on the claim. That
won’t help get the food bank operational by Christmas, though.” She lifted her
head to meet his gaze and pressed her lips together. “I don’t suppose you have
any ideas about what we can do in the meantime.”
Still
as prickly as ever.
He wondered what
it would take to change her attitude and tried a patented O’Neil smile. No
dice.
He decided to
set it aside for the time being and focus on the business at hand. “As a matter
of fact, I do.” He leaned forward and rested his elbows on the table. After we got the fire out last night, I did
an inspection and inventory. With a little luck, I think we can repair the
basic structure sufficiently to reopen for one day on Christmas Eve.
Afterwards, they’d have to close again for a couple of months to finish the
work but…” He shrugged.
She eyed him
with skepticism. “That would be a blessing to the community and a huge relief
to Clare and Karl, but I don’t see how it’s possible.”
“Winter is slow
season for me and my crew. O’Neil Construction will donate the labor, and I’m
sure I can get Hank at the lumber yard to help with materials. It’ll mean
putting in long hours but we can do it.”
Pearl appeared
out of nowhere with another slice of pie and a cup of coffee, which she plunked
down in front of Ellie. “Here. You need a break.”
“You know I
don’t take breaks,” Ellie protested.
“Maybe you need
to start. Besides, it’s good for business to have a cute young couple in the
front window.” She turned to Tyler with a smile before bustling off.
Tyler couldn’t
suppress a grin as Ellie frowned at her grandmother’s receding back. “Pearl’s a
pistol, isn’t she?”
When she faced
him, her frown became a grimace. “Sorry about that. I love her dearly, but she
gets these ideas.”
He liked the way
her nose wrinkled when she said ideas.
“What kind of ideas?”
She fumbled with
her notebook and pen. “The great-grandchildren kind. Now where were we?”
It was probably
childish, but some unidentifiable impulse pushed him to ruffle her feathers.
“What about you? Don’t you want kids some day?”
“Sure, but right
now we’re talking about the food bank.”
He speared
another bite of pie. “I like kids.”
“Good for you.”
Her tone was dry. “Now can we get back to business?”
He gave her an
innocent smile. “That’s why I’m here.”
A tiny muscle
flexed in her jaw before she returned her attention to her notes, and Tyler
wondered if she was truly angry or trying not to smile.
“I’ll follow up
on the insurance. You’ll get started on repairs.” She glanced up. “But what
about food for the shelves? Even if we only stock them with holiday food for
one day, we’ll still need enough to feed forty families. With help from the
church ladies, Pearl’s can bake enough pumpkin pies, but what about everything
else?”
An idea swirled
around and coalesced in his mind. Tyler took a swig of coffee then set the cup
on the table. “I’ve got it covered. This is a job for the Penguins.”
Ellie’s soft
brown brows pinched together. “The Penguins?”
“My team.”
“But you’re
retired.”
“I coach peewee
hockey. My team is called the Penguins. We’ll take care of the rest of the
food.”
She hesitated,
raked him with an appraising glance, then closed her notebook. “Fine. I guess
that covers it. If there’s nothing else, I need to get back to work.”
He had things to
do, too, but found himself in no hurry to leave. “We should plan to meet again
in a couple of days to touch base. Same time, same place?”
Before she could
reply, two young women—girls, really—rushed toward the table.
“Tyler, it’s so
great to see you,” one squealed.
“Are you going
on the sleigh ride tonight?” the other asked, tumbling over her friend’s words.
“Everyone will be there.”
Tyler gave her a
rueful smile. “I’m afraid I have to work.”
The girl’s
enthusiasm drained away, and her pretty young lips slid into a pout.
He sighed
inwardly. He tried to be polite, but even after several years back in
Pumpkinseed Lake, he still attracted an uncomfortable level of public
attention. He’d grown used to it during his playing days, but how much longer
would it take for people to let go of the past and accept him for what he was
now?
He glanced away
from the girls and realized Ellie had taken advantage of the distraction to
slip away and return to the counter. When he managed to catch her eye, she
froze then pointedly turned away and directed a glittering smile at her next
customer—who just happened to be the town’s most eligible young attorney.
Well...damn.This story appears in the collection Small Town Christmas Tales.
Monday, December 7, 2015
Penguins, Pucks, and Pumpkin Pies - Chapter One by Alison Henderson
Ellie
Markusson’s heart pounded as she fumbled for her phone on the bedside table.
Was it her mom? Had something happened to Grandma Pearl? She’d seemed fine that
morning, but at her age anything could happen.
Her pulse slowed
when the caller ID showed Burkhalter instead of Markusson but sped up again
almost immediately. Why would her best friend call in the middle of the night?
Maybe it was the baby. Clare was eight-and-a-half months pregnant with her
second child. Maybe she’d gone into labor and her husband Karl had been called
away. That happened to ministers sometimes, didn’t it?
“Hello.” She was
already plotting the fastest route from her friend’s house to the hospital in
Eau Claire.
“Ellie?” Clare’s
voice was high-pitched, on the verge of hysteria.
In the
background, muffled shouts interspersed with a variety of thuds and bangs.
“Clare, are you okay? Where are you?”
“I’m at the food
bank. You’d better get down here.” Her friend’s voice wavered.
Ellie stumbled
out of bed and flipped on the light. “What’s going on?”
“It’s on fire!
The food bank building is on fire, and I’m afraid it’s going to spread to
Pearl’s.”
Ellie’s heart
froze. The food bank operated by Clare’s husband’s church was located in the
building next to Pearl’s Perfect Pies in downtown Pumpkinseed Lake. Ellie’s
Grandma Pearl had owned and operated western Wisconsin’s most famous pie shop
until she’d had a minor stroke a few years ago and Ellie had stepped in to run
things.
She ran to her
dresser and yanked open drawers, looking for something—anything—clean to throw
on. She balanced the phone between her ear and shoulder and hopped on one foot
while she stuffed the other into the leg of her second-best jeans. “I’ll be
there in ten minutes.”
“Hurry!”
Ellie grabbed
her parka, jammed her feet into her Sorels, and raced out to the garage. She
revved up her Jeep, threw it into Reverse,
and thanked God the town was so small. She would be downtown in ten minutes—
maybe eight.
As she
approached the four-block-long business district, a glow lit up the sky,
interrupted by plumes of smoke. Please
don’t let it reach Pearl’s.
She pulled the
Jeep into an empty space at the curb a couple of blocks away and ran toward the
generalized commotion, her heavy boots crunching on the packed snow with each
step. Three fire trucks—the entire fleet of the Pumpkinseed Lake Volunteer Fire
Department—were parked in front of the food bank. Men in heavy, soot-stained
yellow suits aimed hoses at the flames shooting from the roof at the back, and
a small crowd of onlookers huddled on the sidewalk nearby.
As soon as
Pearl’s came into view, Ellie’s breathing slowed a fraction. The building stood
cold and dark, ignored by the firefighters. Thank
God. If the pie shop burned down, Ellie would be out of a job, but Grandma
Pearl might never recover.
Then she spotted
Clare in the waiting group and jogged toward her. Clare’s long down coat barely
stretched across the bulge of her tummy, and her dark hair hung in unruly
ringlets beneath her knit hat. As Ellie approached, she took in her friend’s
pale face, swollen eyes, and reddened nose.
She reached for
Clare and hugged her tight. “Everything’s going to be okay. It looks like
they’re getting the fire under control.” Scanning the onlookers, there was no
sign of Clare’s husband. Surely he hadn’t let his very pregnant wife come out
alone in the middle of the night. “Where’s Karl?”
“He sh…should be
here any minute. He’s d…dropping Jacob off to spend what’s left of the night at
his parents’ house. I’m s...s...sorry I woke you.” Clare snuffled then pulled
off one mitten and fumbled in her pocket for a tissue. She blew her nose
noisily. “You didn’t need to come down. The fire didn’t spread to Pearl’s,
after all.”
Ellie lifted her
gaze to the top of the building, where firefighters had reduced the columns of
flame to a few flickers. “No, but the food bank…”
“I don’t know
what we’re going to do.” Tears trickled down Clare’s cheeks. “The shelves were
stocked for the holidays. So many families depend on us.”
Ellie gave her
shoulders a squeeze. “Don’t worry. The town will come together. We’ll find a
way. We always do.”
A firefighter in
full turnout gear approached them. When he removed his helmet, Ellie’s brows
drew together and her jaw tightened. Thick, black hair—curling and damp with
sweat—brushed his forehead above sky-blue eyes, a crooked nose, and strong,
square jaw. Tyler O’Neil, Clare’s brother, the unofficial Playboy of
Pumpkinseed Lake. And even better looking than the last time she saw him, if
that was possible.
Ellie had known
Tyler nearly all her life, but because he was four years older, she’d never
known him well. To be completely honest, she’d harbored a secret crush on him
for years, but she and Clare had never been more than minor annoyances,
mosquitoes buzzing around the greatness that was Tyler O’Neil, Pumpkinseed
Lake’s favorite son—the only local puck jockey to go on to the NHL. A knee
injury might have ended his playing career, but it hadn’t put a dent in his
local celebrity. He’d taken over the family construction business and grown it
into one of the largest employers in town.
Their paths had
rarely crossed in the past few years, which was fine by Ellie. The town
grapevine provided more than enough information. Her friends, both single and
married, carried on about Tyler as if he were God’s gift to the women of
Pumpkinseed Lake instead of just a retired meathead hockey player. Although she
had to admit he was easy on the eyes, over the years she’d heard enough double entendres about his ability to
put the puck in the net to make her ears bleed.
Suddenly, Ellie
realized he was speaking. And she’d been staring. Heat rose in her cheeks.
“—think it
started in the motor of one of the freezers. The rear of the building and the
roof have suffered significant structural damage. The interior of the main room
and the shelves are intact, but there’s a lot of smoke and water damage. I
don’t think you’ll be able to salvage much food.”
“But it’s only a
week until Christmas,” Clare moaned. “And I’m so big I can hardly move.”
“I’m sure Karl
and the rest of the congregation will help you pull something together.” Tyler
wiped the back of his hand across his forehead, leaving a pale streak in the
soot. “It doesn’t have to be fancy. People will appreciate anything the church
can do.”
“Karl is so busy
right now he doesn’t have a minute to spare.” As Clare contemplated the smoking
building, her lower lip began to tremble again. “And it’s almost the end of the
year. There isn’t enough money in the church treasury to rebuild.”
Her friend’s
desolation broke Ellie’s heart. Clare was always so bubbly and upbeat. It hurt
to see her crushed this way. “You have insurance, don’t you?”
Clare sniffed
and nodded. “Yes, but there’s no way we can file a claim, get the money, make
repairs, and re-stock the shelves in a week.”
Tyler stepped
forward and put his arm around his sister. “I don’t want you to worry about a
thing. Ellie and I will make this happen.”
He
called me Ellie. He hasn’t said a word to me in ten years, but he remembered my
name.
When he shifted
his intense blue gaze to meet hers, she shivered. Maybe her friends were on to
something after all. Tyler O’Neil had a way of making a girl want to say yes.
Besides, she
couldn’t say no to the watery hope in Clare’s eyes. With orders for more than
two hundred pies to fill in the next week, she had no idea where she would find
time to do anything about the food bank, but she’d manage. She nodded and tried
to smile. “Of course.”
Clare reached
for her hand and pulled her close until the three of them formed a solid unit.
“You two are the best. You’ve never let me down.”
Tyler looked
over his sister’s head at Ellie. “We can get together around ten at Pearl’s for
a strategy session.” One corner of his mouth rose in a half-smile just before
he winked.
She swallowed hard.
What had she gotten herself into?This story appears in the collection Small Town Christmas Tales.
Thursday, October 15, 2015
Writing the Perfect Logline by Alison Henderson
Loglines were developed to sell movie and television
scripts in one intriguing sentence. In the book world, we’ve taken that concept
and melded it with the marketing idiom of taglines, which are more like verbal
logos and not intended to convey much of the story. The result is something
like a mini blurb, suggesting just enough of the story to grab a potential
reader. You can read numerous articles rigidly defining both terms and
insisting on the “correct” form for any given situation. But what’s the point?
For our purposes as popular fiction writers, we’re going with a hybrid you can
craft however you need to, depending on the use.
The perfect logline can definitely help sell a book. You might
use it on the cover, in a Tweet or other promo, in online catalogues, etc.
However, for me, writing a logline for a new book is an exercise in torture.
Some writers hate writing synopses. Those have never been a problem for me. And
unlike many, I actually enjoy writing blurbs. But distilling the essence of a
story into a sentence or two? Nearly impossible.
So, to get some practice and challenge my creativity, I
decided to try writing loglines for the ten short stories in my new collection Small Town Christmas Tales. Here goes:
If Wishes Were Fishes –
She
forgave him for her brother’s death years ago, but can he learn to forgive
himself?
Mistletoe and
Misdemeanors -
Locked
in a cell on Christmas Eve, and only the town’s former bad boy has the key.
Let it Snow –
When
she’s sent to evict Santa Claus, can a lawyer turn the tables on her Scrooge of
a client?
The Brightest Jewel –
There’s
a handsome stranger in town, but has he come to save Black Bear Creek, or destroy
it?
Penguins, Pucks, and
Pumpkin Pies –
When the
food bank catches fire the week before Christmas, it takes Pumpkinseed Lake’s
former golden boy and his team of peewee Penguins to save the day.
Liza’s Secret Santa –
Someone
is leaving tiny treasures on Liza’s doorstep, but who?
No Room at the Inn –
A
carpenter named Joe, a pregnant teen named Maria, and three Jersey Wise Guys
converge on a harried innkeeper in a mélange of mix-ups and misunderstandings.
Second Hand Hearts –
A burned-out
tech entrepreneur gets more than he bargained for when he returns to his
grandmother’s seaside home to lick his wounds and finds himself the object of a
matchmaking scheme.
A Hard Luck Christmas –
Are a handsome
rancher and the chance to set a teen’s life on the right course enough to keep
a dedicated social worker in an apparent wasteland like Hark Luck, Wyoming?
Christmas 2.0 –
A
college professor faces a big decision when her video-gamer ex-boyfriend re-appears
as a changed man with a new purpose.
So what do you think? There’s quite a mix here. Would
these lines entice you to read the stories?
Small Town Christmas Tales is available in paperback and
ebook exclusively from Amazon. For more info, click here.
Alison
www.alisonhenderson.com
Monday, October 5, 2015
A New Release - Happy Birthday to Me! by Alison Henderson
Tomorrow is my birthday and I'm celebrating! After two long years, I have a new book out. Small Town Christmas Tales is officially released in both Kindle and paperback versions. Woohoo!
Fellow Roses of Prose, please take a bow. This book is dedicated to you, because without your support and inspiration, I never would have written it. I've enjoyed our annual holiday short stories so much I wrote a whole book of them! Barb and Diane helped critique them, and Jannine edited the entire collection. It really was a group effort, and I'm very grateful.
The stories run the gamut from funny to poignant but are all warm and upbeat--like ten mini Halllmark Channel Christmas movies. I've set each story in a fictional small town in a different state, many in places I've lived or know well. I hope readers will make a connection with the settings as well as the characters.I had great fun inventing towns like Porter's Landing, MA; Hawthorne Springs, MO, Little Moose Island, ME; Black Bear Creek, CO; Cypress Cove, CA; and Hard Luck, WY. Who knows? One day I may visit some of these towns again in a full-length book.
If you've read the book, thank you! If not, and you want a little boost getting in the holiday mood, I invite you to check it out here. And, as always, reviews are most welcome!
Alison
www.alisonhenderson.com
Saturday, August 15, 2015
Short Doesn’t Mean Easy by Alison Henderson

Ten short stories--less than 50K words. Easy peasy for a writer used to producing full-length novels, right? Let me tell you, I'm exhausted. The creative well was down to the last dregs by the final story. My critique partners can vouch for that.
Here's why:
- Each short story is just that--a complete story. It needs a beginning, a middle, and an end. Because our ROP Christmas stories span multiple days, I learned to structure my stories in three parts, one for each of three days. Those became the beginning, middle, and end. For this collection, I had to come up with ten separate and complete plots.
- Because I'm a plotter, I needed to work out and write down what was going to happen in each of the three acts before I began. After the first couple of stories, I tried winging it and it was a disaster. It might seem like a waste of precious time to write a synopsis for a short story, but I learned that without one I froze up or muddled around, wasting even more time.
- Characters are just as important in a short story--maybe even more so because there isn't enough room for an elaborate plot. Since the characters carry the story, I began each new story by writing character descriptions. They didn't have to be as detailed as the ones I write before I begin a novel, but I had to have them. That meant ten heroes and heroines, along with assorted secondary characters, who needed names, personalities, hopes, and problems.
- Each story in this collection is set in a fictional small town in a different state from coast to coast, from Maine to California. I needed to create ten settings in places I knew well enough to make the setting an integral part of the story. I've traveled quite a bit, but this was a challenge.
- And lastly, a story doesn't flow for me until I have a title I'm happy with. I've never been able to write without a title, or even with something I consider a working title. I have a fairly easy time coming up with titles, but ten separate titles in a few short months taxed my creativity.
It hasn't been as simple as I expected, but at the end of this process, I'm happy to say I've learned a great deal about writing short. Some of the lessons will also apply to my longer books. If you haven't written a short story, I recommend it. Just don't expect it to be easy.
Alison
www.alisonhenderson.com
Wednesday, August 5, 2015
It’s Official – I’ve Disappeared by Alison Henderson
Have you seen the ad with Mindy Kaling
where she wanders around, wondering if she’s become invisible because no one
seems to notice her? Finally, she interrupts a pick-up basketball game, only to
discover she isn’t invisible—it just feels that way. I’m feeling a bit like
Mindy these days.
For the first time in the five years
I’ve been published, as far as I can determine, I haven’t sold a single book
during the past thirty days. Two KU readers finished reading UNWRITTEN RULES,
so I will receive a (tiny) royalty check from Amazon for July, but my KDP sales
line is flat as yesterday’s lefse (a pancake to you non-Norwegians). According
to Novelrank, no one worldwide has bought a copy of any of my three small-press
published books in the past month, either. It’s possible I’ve sold something
through another outlet, but I won’t know until figures become available from my
publisher in a couple of months. Since the vast majority of my sales have
always come through Amazon, I don’t spend much time worrying about other retailers.
Since I’m a writer and inclined to
dissect feelings, I have to ask myself how I feel about this. Not too bad, as
it happens. It’s odd, weird in fact, but not bad. Especially since I know the causes.
- I haven’t had a book out in almost two years. This is the primary reason I’ve dropped off readers’ radar screens.
- As a result of #1, I haven’t done any real promo in ages. I’m still active on social media just being me, but it doesn’t feel right to continue promoting an old title.
- Many writers, especially indies, have proclaimed that the debut of Amazon’s new subscription service Kindle Unlimited has sounded a death knell for their sales. I’m not sure that’s true for me. For a long time, I had a 50/50 balance between sales and KLL borrows. My sales slump coincided with the arrival of KU, but I think #1 is more to blame.
Some writers are quick to ascribe declining
sales to any convenient outside force. I’ve read that sales are slow in the summer
because people are on vacation. (Wouldn’t they want to buy a book or two to
take along to the beach?) Others say sales drop in November and December
because of the holidays. (What about books given as gifts?) Now Kindle
Unlimited is the bogeyman. It’s always the fault of someone or something else.
I blame no one for my sales situation but
myself. You read a lot of baloney on the Internet, but some of the marketing
advice is actually sound. In order stay in readers’ minds, you need to publish
frequently. Two books a year is good; three is better. Stay active on social
media. Market yourself and your platform (though not necessarily your books)
regularly. Collect email addresses. Send out newsletters. Yada, yada, yada. We’ve heard it over and over—probably because it’s
true.
I’ve failed on nearly every count and take
full responsibility for the result. I’m the poster child for Anti-Marketing. I
have valid reasons for not publishing a book last year, but even at my most
productive, I’ll probably never write more than one book a year. Again, a matter
of personal choice and life balance. I hate marketing with a passion and, as a
result, will never be any good at it. I’ll never do a Facebook launch party
because I can’t imagine spending several hours online posting pictures of fancy
dresses and nearly-naked male models and giving out prizes. I know it works,
but it’s not me.
There was a time I would have embraced
the stress of tight deadlines for the potential rewards of a successful writing
career. That time has passed. I’ve come to accept that I’ll never be a
best-selling author. I’m simply unwilling and/or unable to do what it takes. I
still love the creative process of writing and have stories I want to tell.
Hopefully, people will enjoy reading them—maybe not as many people as I’d like,
but I’m grateful for each one.

Alison
www.alisonhenderson.com
Wednesday, July 15, 2015
Fun With Fonts by Alison Henderson
Did anyone else think of Sheldon Cooper's "Fun With Flags" when they read this title? I hope so. I'd hate to think I'm the only Big Bang Theory-loving, romance-writing geek out there.
Today, I want to talk about fonts. When you look at a book cover, yours or another author's, do you think about the font the artist chose? The cover for my first book, Harvest of Dreams, used the most amazing font. I had never seen anything like it, and many readers commented how much they liked it. That cover remains one of my favorites, and the font is a big part of the reason.
Unless you design your own covers, you may not pay much attention to font choice, but the font can tell the reader as much about the story as the images. It provides additional clues to the genre, tone, and subject matter of the book. For example, when I designed the cover of Jannine Gallant's seventeenth century historical, An Uncertain Destiny, I found a wonderful font to suggest the period and setting.
Take a look at the cover fonts on some of your favorite books. What do they tell you about the story? Do they add to the visual impact in a positive way? Do they make you want to pick up the book? After all, that's the whole point of the cover.
I'm currently working on the cover for Small Town Christmas Tales. You helped me choose a background image; now I'd like some input on the fonts. In these examples, I've tried several different fonts for the title, sub-title, and author's name. Please look at each element individually, as well as the whole composition. What feelings do they spark? Do you like the author's name in all caps, or not?
Here's the first iteration:
Now #2.
Here's #3.
And #4.
The stories are all warm-hearted, and some are a bit whimsical. I want to give readers the right first impression. I'll probably mix the elements from a couple of the options above. I'd love to hear your thoughts.
Alison
www.alisonhenderson.com
Facebook: https://www.facebook.com/alison.henderson.33
Twitter: https://twitter.com/alsnhendersn

Unless you design your own covers, you may not pay much attention to font choice, but the font can tell the reader as much about the story as the images. It provides additional clues to the genre, tone, and subject matter of the book. For example, when I designed the cover of Jannine Gallant's seventeenth century historical, An Uncertain Destiny, I found a wonderful font to suggest the period and setting.
Take a look at the cover fonts on some of your favorite books. What do they tell you about the story? Do they add to the visual impact in a positive way? Do they make you want to pick up the book? After all, that's the whole point of the cover.
I'm currently working on the cover for Small Town Christmas Tales. You helped me choose a background image; now I'd like some input on the fonts. In these examples, I've tried several different fonts for the title, sub-title, and author's name. Please look at each element individually, as well as the whole composition. What feelings do they spark? Do you like the author's name in all caps, or not?
Here's the first iteration:
Now #2.
Here's #3.
And #4.
The stories are all warm-hearted, and some are a bit whimsical. I want to give readers the right first impression. I'll probably mix the elements from a couple of the options above. I'd love to hear your thoughts.
Alison
www.alisonhenderson.com
Facebook: https://www.facebook.com/alison.henderson.33
Twitter: https://twitter.com/alsnhendersn
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