Showing posts with label Olympic wrestlers. Show all posts
Showing posts with label Olympic wrestlers. Show all posts

Sunday, July 1, 2018

I make concrete balls when I'm not #amwriting #suspense novels. Want to join me?

Some of you asked how I made the concrete balls for my yard art. Here you go!  

What motivated me to become a ball-maker?  Cost was primary.  I would have to pay from $80 to more than $600 to buy cement globes, even if shipping were free.  The bigger they are, the more expensive.  The biggest ball I made, using a basketball as a mold, was fourteen inches in diameter.  I also made six, eight, and ten inch spheres.

I started by buying cheap glass globes for lighting.  A hardware store should have six, eight and maybe ten inch diameter glass ones for you.  DO NOT USE ACRYLIC.  The glass breaks easily after the concrete is set; acrylic might be hard to break without damaging the concrete ball.  You’ll pay up to $10 for the ten inch glass globe.

For a larger 14 inch mold, I used a cheap basketball I bought from Walmart for $5.00. You need heavy rubber that ‘stands’ on it’s own after you’ve cut out a hole and let the air out (hint: cut out the air nodule…make a hole about the size of the neck of a lighting globe)

(Caution: wear a mask, protective glasses and gloves when you work with cement.) 

Buy white mortar from your local hardware store along with gray liquid coloring.  You decide if you want all the globes to be the same color, or a variety of white/shades of gray.  Mix the mortar with water (and dye) to give it the smooth consistency of a  milkshake. Small batches are easier to manage; I used a special stirrer on the end of a drill to mix mine more easily. Some may want to mix in sand or tiny rocks for texture. 

SPRAY THE INSIDE OF THE LIGHTING GLOBES WITH PAM OR SILICON SPRAY.  No need to put lubricant inside of the rubber ball.

Set the mold in sand or dirt to distribute weight (I put some in planters as you can see), and especially for the rubber basketball, to keep the ball round in form. Pour mortar into the globe (or basketball).  I bought a plastic, wide-mouth funnel to make this easier.

Let cure for at least 48 hours.  Place whole mold in a plastic bag and with protective glasses on, begin banging on the glass to break it off. You’ll have some bits to work on at the end of the process. Be sure to get all glass pieces off so you don’t cut yourself.

You can smooth, even shine the surface, by using fine sandpaper, but I like the natural, rough look.

The picture below shows my final products.  In my next blog entry, I’ll show you where I’ve placed my globes in my new landscape.


Here are some DIY takes from Google:


My hero in CÉZANNE’S GHOST http://a.co/bQdl7jp is a budding sketch artist. In fact, the ghost of post-impressionist PAUL CÉZANNE, lurks throughout this mystery novel.  

We’re all artists in our own way…and now I can say I ‘sculpt’ concrete balls!




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Thursday, August 10, 2017

France is Ghost Country by Rolynn Anderson

Cézanne’s Ghost is the name of the novel I’ll release around August 15.  Let me tell you about the title of my novel and why I used Paul Cézanne’s sayings (1839-1906) throughout the book.  Nothing supernatural here: my story begged to be named Cézanne’s Ghost.

The most important influence: my husband and I lived for a month in the former home of Cézanne’s mother.  Cézanne spent a good amount of time living with her and other members of the family, so Aix-en-Provence eventually adopted the man as the city’s favorite artist.  Brass medallions affixed to buildings he visited and similar crests marching down the sidewalks, tell tourists about Cézanne’s favorite haunts.  Les Deux Garçons (the restaurant Cézanne favored) is one such site; a path of medallions, set in cement like big bread crumbs, lead to a variety of shops and parks, ending at his studio, L’Atelier de Cézanne.  Now, I’m not a ‘ghost’ person, but with such a Cézanne-presence in Aix, this writer took notice.  (Below, a self-portrait of Cézanne)



Cézanne dabbled in art and supported other artist before he got serious about his Post-Impressionist renderings, marking a transition from 19th to 20th century art forms.  Similarly, my main character, Leon, in Cézanne’s Ghost, is an American guide in Aix-en-Provence, who charms his clients by drawing caricatures.  No one knows he is a budding sketch artist, a talent he hides because he can’t seem to complete a drawing. Formerly, he was an Olympic wrestler, leaving the sport abruptly.  His guide company is suffering because three young American women have disappeared from his tours in less than three months.  If he can’t find them, his career as a guide might be over, as well.

An interesting fact: Cézanne ‘grew into’ his art, learning from other famous painters and building a set of principles that not only guided his work, but in modern times, offer helpful advice to artists.  For that reason, Cézanne’s observations set the tone for each of my chapters.  His tour de force was precise brushstrokes, resulting in paintings far more interesting than the sum of each stroke, a concept so new, he was maligned by other artists.  Still, with Emile Zola and Pissarro as his sometime partners, and a building confidence as a painter, he provided the world with extraordinary art.

Aline is the name of my heroine in Cézanne’s Ghost.  Cézanne’s granddaughter and great granddaughters both carry that name.

Like Cézanne, both Aline and Leon question their career choices and their skills.  And in a strong comparison to the artist, my modern characters benefit from trial and error, persistence, and the help of friends to change their worlds.

Below you'll see the Cézanne painting I chose and the sketch I bought.  Last, you will see the final cover, thanks to the magical talents of Kris Lynn.





My question to you: Of all of your novels, which one 'pulled together' in the unusual ways Cézanne’s Ghost emerged from my experiences?

Only a few days of waiting and you’ll be able to read Cézanne’s Ghost.  In fact, if you're a romantic suspense reader and would like an advanced copy to review candidly, let me know at rolynnwriter@earthlink.net  I will send your favorite e-version.

Until then, here’s my most recent release: BAD LIES http://a.co/0DuYNPn:

Italy’s haunted caves spell danger for an American golfer and a NATO geologist
****
Sophie Maxwell is a late-blooming, unorthodox golfer, and mother of a precocious thirteen year-old. Determined to put divorce, bankruptcy, and a penchant for gambling in her past, Sophie goes to Italy for a qualifying golf tournament.

Jack Walker turned his back on a pro golfing career to become a geologist. As a favor to his ailing father he’ll caddy for Sophie; off hours, he’ll find caves on the Mediterranean coast, suitable for NATO listening posts for terrorist activity.

Someone is determined to stop Jack’s underground hunt and ruin Sophie’s chances to win her tournament.

On a Rome golf course and in the Amalfi coast’s haunted caves, all the odds are stacked against Sophie and Jack.  In their gamble of a lifetime, who wins?

Seven Suspense Novels Spiked with Romance

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