Showing posts with label Karen McCullough. Show all posts
Showing posts with label Karen McCullough. Show all posts

Monday, July 31, 2017

Ten Lessons for Writers from the Tour de France By Karen McCullough


By the time you’re reading this the crown jewel event of bicycle road racing, the Tour de France, will have concluded, but at the time I’m writing this post the outcome is still very much in doubt. 

I’ve never been much of cyclist personally, but I do enjoy sports and watching them on television. A few years ago my son drew us into watching road race cycling and I got hooked on it. At first I watched mainly for the gorgeous French countryside and shots of amazing castles and chateaux along the route. But eventually I was drawn into the complexities and intrigues of the race as well. 

It’s a sport that was besmirched a few years ago by rampant drug use and cheating, but the powers-that-be in charge have made tremendous efforts to clean it up, including developing some innovative methods for tracking normal performances and expectations from each individual athlete. I don’t fool myself into believing it’s all completely clean but the authorities are trying hard to keep it real and do not tolerate any hint of cheating.

As I’ve been watching the race these last couple of weeks, it occurred to me that there were lessons that everyone, but authors especially, could take from the race. 

1.      Road race cycling is a team sport.  That’s not intuitive on the surface, since it’s a bunch of men or women on bicycles, but as you dig down into it, it comes clear why it’s often the strongest individual on the strongest team that wins the race. Due to the effects of wind resistance and slip-streaming, riders in a group working together can generate more power and speed than one individual can on their own. Plus a grand tour event is three weeks long with a ride of four to five hours every day other than two rest days. Those rides frequently involve climbing mountains, negotiating narrow city streets, and surviving inclement weather, problems with the equipment, and various road hazards. Having teammates around a rider is often the difference between losing serious time in the event of a breakdown and being able to be up and running again quickly.

Novels aren’t created in a vacuum. An author pours his or her soul out onto the paper (or screen) but it then takes critiquers, beta readers, editors, copy editors, formatters, and others to turn that story into a published book.

2.      Each man has to peddle his own bike. You can’t be part of the race if you’re not willing to do your part to contribute. It’s a huge effort for even those who don’t get the glory. There are men participating in the tours whose only job is to be a domestique – the person who gets water bottles for the team, guards the team leader and will exchange bikes with them on the spot should the team leader have a problem.

Every author has to write their own book. Some are better at it than others, but every book can be improved by the feedback of beta readers and the work of editors. A team can make your book even better, but it starts with that first draft, and only you can provide that.

3.      Winning comes in different flavors – There are a lot of prizes available during the Tour de France and other grand tour events. The maillot jaune (yellow jersey) goes to the overall winner, but there are also competitions for a green jersey (best sprinter), a polka dot jersey (king of the mountains or best climber), a white jersey for best young rider, and each day there is a prize for the winner of that day’s stage.

As an author you have plenty of opportunities to call your own wins. Of course, we’d all like to be hitting those best-seller lists, but I remind myself how excited and triumphant I felt when I actually finished my first novel, way back when. There was the first time I was a finalist in a writer’s contest; the first time I got a call from a publisher; the first time I won a writing contest… I still haven’t hit any lists and maybe never will. But I’ve had my share of wins along the way, and just finishing close to two dozen novels and novellas counts among those.

4.      You have to be at the top of your game to compete. The Tour de France attracts the best of the best from cycling’s professional ranks. They’re the top of the heap and they still have to be in primo shape to have a chance in this race.

If you’re going to write a story, you want to do all you can to hone your skills and fine-tune your craft. One of the things I love about writing is that I’m pretty sure I’ll never completely master it, but I try every day to get better. You can never be complacent about your ability to create a good story.

5.      And there’s still a large element of luck. Every year a few innocent riders get blind-sided and brought down by another rider taking a curve too tightly or sliding on slick pavement. It’s not their fault but it can still devastate and take out of contention someone who might’ve had a shot. It’s the way of life. Things happen. A solid team around you can help protect you but sometimes lightning strikes. So it is with writing. Many authors who deserve better labor in obscurity because they haven’t hit the right editor with the right thing at the right time, or the book goes on sale at exactly the wrong time, or fails to find its audience for reasons beyond the author’s control. There’s nothing to do but roll with it and try to keep on chugging.

6.      You need recovery time – Riding a bike at high speed four to five hours every day for three weeks depletes the body. Cyclists need time to recover.  Most can only handle doing one grand tour even per year, though occasionally some try to do two since they’re scheduled with a month between each of them (the Giro d’Italia is in May, the Tour de France in July and the Vuelta a EspaƱa is in September).

Writing an 80,000-word novel (or even a shorter piece) depletes the soul. Authors need time to refill the bucket. To go out and do things, read, experience other media. Everything the writer takes in becomes part of the mix inside that gets churned and comes out as a story, so the more you have in the bucket to draw on, the richer your stories are likely to be. So, yes, go take a vacation. And if you skip a few days of writing because you do, the world will keep on turning and you won’t forget how to put words together in sentences.

7.      You have to give everything you’ve got to the effort. Each day of the Tour de France, the riders put out the ultimate effort they have in them. Nothing less will do in this race. When you’re writing you have to eliminate distractions, concentrate totally and be willing to pour yourself into the effort. In the words of another immortal writer you have to be willing to bleed onto the page.

8.      The team will have a plan – Because it is a team sport and there are so many potential prizes available, most teams have some kind of plan for what they want each of their riders to do at the start of each day. And when I sit down to write a scene, I try to have some idea of where I want it to go and what I want it to do to advance the plot.

9.      And, like most battle plans, it won’t survive the first contact with the enemy. Every other team on the tour has a plan, too, and they can’t all succeed.

And with most of my outlines, when I actually write the planned scene, the characters tend to take over and go the way they want. Sometimes they’re off on a tangent and I have to rope them back in and get them on topic. But there are times when I give them their head, to see where it leads. Sometimes I’ll end up deleting the whole thing, but occasionally allowing the characters their say will add extra dimensions to a story or take it in a wonderfully unexpected but right direction.

10.  There’s always the next race.  Close to two hundred men set out to win the Tour de France, but only a few of them end up winners. What do the others do? If they plan to have any future in the sport, they immediately begin preparing for the next race.  For an author, finishing one book means getting ready to start the next. Whether this book will succeed and find an audience is mostly out of your hands once it’s published (except for all that promo you have to do), but the important thing is that the next book you write may be the big winner if this one isn’t. 

Karen McCullough is the author of more than a dozen published novels in the mystery, romantic suspense, and fantasy genres and has won numerous awards, including an Eppie Award for fantasy. She’s also been a four-time Eppie finalist, and a finalist in the Prism, Dream Realm, Rising Star, Lories, Scarlett Letter, and Vixen Awards contests. Her short fiction has appeared in several anthologies and numerous small press publications in the mystery, fantasy, science fiction, and romance genres. She has three children, eight grandchildren and lives in Greensboro, NC, with her husband of many years.

Author’s links:



Her most recent release is a romantic suspense novel, Hunter’s Quest.


Blurb for Hunter’s Quest: Kristie Sandford's vacation is interrupted when a man jumps out in front of her car. She avoids hitting him, but when she stops to see if he's hurt, he demands she help him escape from the people chasing him. Kristie has an odd "gift" - she occasionally gets warning messages, and she gets one saying he needs her help or he'll die. Jason Hunter is an NC SBI (North Carolina State Bureau of Investigation) agent working on his own time searching for a friend, an investigative reporter who disappeared while tracking down rumors of corruption in the bureaucracy of a small mountain town. Jason is grateful to Kristie for rescuing him, but dubious when she insists she has to continue helping him. Kristie is attracted to Jason, but the edge of danger she senses in him reminds her too much of the abusive family she escaped as soon as she could.


Still, the message said he'd die if she didn't help him, and the messages have been right before.


  • Kindle: https://www.amazon.com/dp/B06X3Z8VLB
  • Nook: http://www.barnesandnoble.com/w/hunters-quest-karen-mccullough/1125808779?ean=2940157500979
  • Smashwords: https://www.smashwords.com/books/view/705030 

Karen McCullough is the author of more than a dozen published novels in the mystery, romantic suspense, and fantasy genres and has won numerous awards, including an Eppie Award for fantasy. She’s also been a four-time Eppie finalist, and a finalist in the Prism, Dream Realm, Rising Star, Lories, Scarlett Letter, and Vixen Awards contests. Her short fiction has appeared in several anthologies and numerous small press publications in the fantasy, science fiction, and romance genres. She has three children, seven grandchildren (and counting) and lives in Greensboro, NC, with her husband of many years.


Author’s links:



Tuesday, March 28, 2017

Setting is More Than Another Character By Karen McCullough


Please welcome Karen McCullough to The Roses of Prose.

A few weeks ago, I was told by a reader that I had “really brought the mountains to life” in my most recent romantic suspense novel, Hunter’s Quest. I felt that was high praise indeed. The mountains in question are the Blue Ridge mountains of North Carolina and I tried hard to work them in as a necessary part of the story. 

I don’t necessarily subscribe to the dictum that setting is another character in a book because that underrates the power that setting has in itself. Setting is more than a character. It’s the backdrop for everything. When done right, it informs all the characters and their behavior, becomes a part of each scene, and adds to the challenges facing the protagonist(s). It’s the world the characters operate in. 

These are the first two paragraphs of Hunter’s Quest

The sudden, sharp crack of a rifle shot, way too close, shattered the peace of a lovely June day. 

Moments before, Kristie Sandford had been driving sedately and musing on camera angles and light as she reveled in the sun-drenched beauty of a back road in the Blue Ridge Mountains. Pink and blue wildflowers grew along the verge, just in front of shrubs in varying shades of green. The scent of honeysuckle drifted in the open window of the car. 

I tried to pick out the details that would draw the reader into the mountain setting – the colorful wildflowers and variety of green shrubs growing nearby. Then the scent of honeysuckle teases at a different sense-smell. But the details do more than just tell the reader what our protagonist is seeing. Blooming plants show that the season is either late spring or summer, and their presence in profusion on the road suggests a rural area. The weather is beautiful. The fact that Kristie notices those facts reinforces that she’s a photographer with an artistic bent. 

And then there’s the detail in the first sentence that changes everything. The “sudden, sharp crack of a rifle shot.” 

Anyone who’s spent much time in the mountains knows that the sound of gunfire isn’t all that unusual there. But Kristie is a city girl and the shot isn’t a distant one. It’s close, so close in fact, that the intended target runs out in front of her car and she nearly hits him. 

There wasn't enough room left to stop. If she swerved sharply enough to miss him, she'd induce a skid that might take her off the road. The agonized squeal of tires on asphalt scraped her nerves raw. Her pulse hammered in her ears,
At the last possible second, he jumped out of the way, diving to the side. 

A skid would be super-dangerous here because these are narrow roads with little leeway. I go with sounds in this case to show her response to the situation. The tires squeal and her pulse hammers in her ears. 

The man in question slides across the gravel until he hits a tree. Kristie stops to check if he’s injured, and here’s where she realizes some of the additional challenges and dangers the setting provides. 

Her stomach clenched tighter when she surveyed the area around him. The tree he'd hit had saved him from a worse fate. A few feet beyond it, the ground dropped off sharply, diving into a ravine some forty feet down. If he'd gone over the edge he would have been seriously injured or killed. She couldn’t even think about what would’ve happened if she’d swerved too much to avoid him. 

And then another two men show up, obviously locals, and obviously not friends to the man Kristie stopped to help. In fact, one of them is holding a rifle… 

This is just the beginning of Kristie and Jason Hunter’s adventures in the mountains, searching for a missing man.  

Aspects of plot and characters are all influenced by the mostly rural mountain setting. But my two protagonists are both city people and have fears that the setting will challenge before the story is resolved. Solving the interlocking mysteries of unexplained fires and a missing person will require they gain some understanding of how small towns, somewhat isolated from urban areas, operate and the effects on their inhabitants. 

Blurb: Kristie Sandford's vacation is interrupted when a man jumps out in front of her car. She avoids hitting him, but when she stops to see if he's hurt, he demands she help him escape from the people chasing him. Kristie has an odd "gift" - she occasionally gets warning messages, and she gets one saying he needs her help or he'll die. Jason Hunter is an NC SBI (North Carolina State Bureau of Investigation) agent working on his own time searching for a friend, an investigative reporter who disappeared while tracking down rumors of corruption in the bureaucracy of a small mountain town. Jason is grateful to Kristie for rescuing him, but dubious when she insists she has to continue helping him. Kristie is attracted to Jason, but the edge of danger she senses in him reminds her too much of the abusive family she escaped as soon as she could. 

Still, the message said he'd die if she didn't help him, and the messages have been right before. 


Karen McCullough is the author of more than a dozen published novels in the mystery, romantic suspense, and fantasy genres and has won numerous awards, including an Eppie Award for fantasy. She’s also been a four-time Eppie finalist, and a finalist in the Prism, Dream Realm, Rising Star, Lories, Scarlett Letter, and Vixen Awards contests. Her short fiction has appeared in several anthologies and numerous small press publications in the fantasy, science fiction, and romance genres. She has three children, three grandchildren and lives in Greensboro, NC, with her husband of many years. 

Author’s links: